Sunday, November 15, 2009
New Work for Four (4) Bassoons
The world premiere of this work is scheduled sometime in the Spring 2010.
Saturday, September 5, 2009
Three Performances of Russo's Septet "Distant Light" Scheduled this Fall
1. Sunday, September 27th 1:30 p.m. Sachem Library
2. Saturday Oct. 17th, 6:00 p.m.
3. Sunday Oct. 18th 2:30 p.m.
To hear excerpts of the Septet's three movements you may click here.
Monday, July 27, 2009
Brass Quintet "Hannoverture" performed in New York
Friday, May 29, 2009
Brass Quintet "Hannoverture" Performed in Germany
Hannoverture was again performed in Wustrow, Germany on October 4, 2009 by a brass choir. You may view and hear the video of this performance by clicking here.
Here is the description of the earlier (Bremen) video by quintet leader and trombone player Alexander Kockel:
This is a trial and error performance between rehearsal (2 weeks before) and official premiere in europe (the evening after) at the Kirchentag in Bremen/GER.
We, the brass quintet "Ottoni con anima", were not prepared to play outdoor, so we unfortunately lost the challenge against the wind, who blew the sheets away. But see, it was fun and the performance in the evening (in church) was about to tell another story... :-)
Tuesday, April 28, 2009
Russo Brass Quintet performed in Ridgefield, Sunday April 26

The Ridgefield Symphony Brass Quintet and Joe: from left to right - Sara Della Posta - French Horn, Tom Verchot - trumpet, Daniel Peck - tuba, Joe Russo, John Charles Thomas - trumpet, Johannes Pfannkuch - trombone.
The new brass quintet "Hannoverture" was beautifully performed in Ridgefield, Connecticut at the Keeler Tavern Museum at 3pm on Sunday, April 26, 2009 by The Ridgefield Symphony Brass Quintet.
Tuesday, March 31, 2009
String Orchestra work performed in March at Battell Chapel, New Haven
Thursday, January 15, 2009
New Brass Quintet Completed..."Hannoverture"
Wednesday, November 5, 2008
Trip to Germany -- to conduct "Concordance"


On Saturday, November 2, 2008 Joe conducted a performance of his "Concordance" 1994 for double brass quintet. The brass group Auf biegen Und Blechen - see upper photo -- (http://www.aufbiegenundblechen.de/) performed the work in the church Christuskirche Westercelle in Celle near Hanover, Germany.
The performance was successful and the music was enjoyed by both the musicians and audience.
If you would like to hear an excerpt of the 1994 world premiere performance of the work you may do so by visiting Joe's AMC website by clicking here.
While in Europe, Joe (on left in above photo) visited his longtime friend and fellow Yalie Jean-Yves Benichou (on right in above photo) who has been playing bass with the Strasbourg Philharmonic Orchestra (in Strasbourg, France) for over 30 years.
Monday, September 15, 2008
New Work completed - "Mourning Mist" for Guitar & String Quartet
Saturday, April 26, 2008
New Solo Flute work -- Premiered April 25, 2008
Joe's new work "Golden Flute"for solo flute was given its world premiere performance by his dear friend and superb flutist Celinda Ann Levno in Phoenix, Arizona on Friday evening, April 25, 2008. Joe and Celinda Ann are in the above photo. To view the video of the performance click here.
Thursday, November 1, 2007
Trip to Los Angeles -- for Triple Flute Concerto and Juilliard friend



Joe (on left in above photo) travelled to Los Angeles to attend the west coast premiere performance of his Triple Flute Concerto by the La Mirada Symphony (south of LA) on Saturday, October 20, 2007.
While on the west coast Joe visited with Yale alum friend Alan Rickmeier (bassist in the San Diego Symphony), Juilliard alum friend Andre Briere who plays Principal Bass with the La Mirada Symphony and long lost Juilliard friend Nathaniel Ayers (on right in above photo). Joe also visited with author/journalist Steve Lopez.
Steve Lopez has written a wonderful book about Nathaniel Ayers, "The Soloist" and DreamWorks is producing a movie based on Lopez's book about Nathaniel's life. The book is now available and the movie will be in theaters by the end of April 2009. If you would like to view information/short videos about the movie click here. To view a current (July 2009) LA Times article about Nathaniel click here. To view the 3-22-09 segment of CBS 60 minutes about Nathaniel and Steve Lopez click here. To view the video of Nathaniel's speech at San Franscisco's NAMI (National Alliance on Mental Illness) conference in July 2009 click here. If you would like to hear Nathaniel play some trumpet and cello click here.
Above are some photos: The first photo is of the actors in the movie "The Soloist" - Jamie Fox and Robert Downey Jr with Joe, Nathaniel and Adam Crane (formerly with the LA Philharmonic administration). The second photo is that of Joe, Steve Lopez and Nathaniel. And the third is of Joe and Nathaniel -- meeting after over 30 years at the October 20, 2007 performance of Joe's Triple Flute Concerto in La Mirada, California.
Sunday, October 21, 2007
West Coast Premiere of Triple Flute Concerto

On Saturday night October 20, 2007 solo flutists Laura Scott, Brad Cain and Joan Cain (from left to right in above photo) and The La Mirada Symphony performed Joe's Triple Flute Concerto in La Mirada, California. Joe attended this excellent and well received performance of his work.
Tuesday, May 1, 2007
New Work - Septet "Distant Light" given first performance
You may also hear this music at his AMC website.
Please note that after the premiere of this work Joe rewrote the third movement (originally marked "Theme & Variations") shortening it from 16 minutes to 11 minutes (and renaming it "Variations"). The original third movement (the one you hear at the AMC website) is now a stand alone work called "Theme & Variations for Septet" running the original 16 minutes.
Monday, February 19, 2007
Russo String Bass Quartet performed at Mensch Memorial
Sunday, May 1, 2005
Russo completes Kyrie and Gloria of his Mass
Tuesday, May 28, 2002
Why Music
The following occurred a few years ago. I was giving a high school sophomore a double bass lesson at his home. The boy's father came into the room and said to me: "My son John will most likely be going to law school or medical school. Since he will not be a professional musician do you think these bass lessons are really necessary? If he does not plan to ever play 'Carnegie Hall' why should he take lessons?"
I proceeded to tell my student's father the following true story: I have a good friend, Harry, who with me, graduated from Yale with a Masters of Music degree some years ago. Soon after graduating Harry decided that he wanted to be an attorney instead of a professional musician. Months later he applied to various law schools. Over lunch Harry described an incredible occurrence: he was interviewed by the dean of a major university law school. The dean looked down at Harry's resume and said "I see you graduated from Yale with a Masters of Music". Harry, a little concerned, said "Yes, but I now would like to become an attorney". "Well", the dean continued, "based on your Music Masters degree you are accepted to attend our law school". Harry was surprised and with a confused look asked "I don't understand. Based on a music degree you are accepting me into your law school? I don't understand". The dean smiled "Let me explain. What do you need to do to become a successful musician? First you need to spend much time alone in a practice room, solving problems. Then you need to go out on stage to rehearse with other musicians (as a team) to solve problems. Finally, you need to perform your music in front of an audience. Let me tell you what a successful attorney needs to do: first he spends much time alone in a library, researching and solving problems for his client. Then he often works with other attorneys (as a team) to help his client and to solve additional problems. Finally, he usually has to "perform" his case in front of a jury and a judge. Harry, as a successful musician you have developed all the skills needed to become a successful attorney -- we will need to re-tune those skills to law, that's all."
The father of my student stared at me with a surprised look on his face. "I never realized that by learning a musical instrument, my son could develop skills that could be applied to other careers." He turned to his son and said "Listen carefully to your bass teacher....do whatever he says.....” The father then left the room.
And here is one of the best moments in my teaching career: as his father left the room, my student turned to me and said "But, Mr. Russo isn't the privilege and ability to play Bach, Beethoven and Brahms enough of a reason to study music?" I smiled and nodded, thankful for the wisdom and enthusiasm of children.
Joseph Russo
JoeR11@Juno.com

